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Post by NDX on Sept 30, 2012 23:52:10 GMT -5
Killing For Culture: Death on Film and the Enigma of snuff, or Killing for Culture: Death Film from Mondo to Snuff, as it was originally printed back in 1995. This is a book Tomas lent to me one time and I couldn't put it down. I can't do the book justice when describing what it's about, so I shall steal a review from Amazon.com. Autopsies. Car crashes. Suicides. Executions. Horrible accidents. Human remains. Assassinations. Welcome to the horrifying and disturbing yet often weirdly fascinating world of death in film. Face it, most people are strangely attracted by images of violence and death - just like stopping and watching when an accident has happened.
KILLING FOR CULTURE concerns death in films. The book starts with the story of an obscure movie named SNUFF in 1976. Originally titled SLAUGHTER, this 1971 ultracheapo horror flick about a MANSON - style murder spree was considered unwatchable and remained unreleased for several years until movie producer Allan SHACKLETON got an idea: He shot a new ending, where an actress was seemingly "killed" on camera for real (though the basement special effects clearly proofed otherwise). Cleverly promoted with the slogan "shot in South America, where life is cheap" SNUFF turned out to be a huge success. This was how the concept of snuff movies (where people are killed for real) was introduced. Other feature films like EMMANUELLE IN AMERICA or LAST HOUSE ON DEAD END STREET further elaborated on this concept. The authors review the above mentioned films and many more in great detail and with much knowledge.
Further chapters revolve around the so called "mondo" (shockumentary) film and how this genre evolved, starting with MONDO CANE in 1962. Writers KEREKES and SLATER show in a very detailed way, how mondo directors faked and re-enacted death footage, which was allegedly "real". I found this making - of approach particularly interesting. Many of the horrifying mondo films (like THE KILLING OF AMERICA and the infamous FACES OF DEATH series) are dealt with in lengthy reviews. Considering the subject matter one might expect that the book is written in an exploitative way. This clearly is not the case.
Further chapters concern films where real atrocity footage was used - like the US porn movie FORCED ENTRY about a post-traumatic stress disorder suffering Vietnam veteran rapist, whose "activities" are interspersed with actual combat newsreel footage. The last chapter details how tabloid papers and feminists are propagating the urban legend of snuff films. The sheer amount of facts concerning real reel death the authors have crammed in the relatively small book is amazing:
Hospital documentaries like the 6 hour long NEAR DEATH. Nauseating underground films. The famous ZAPRUDER amateur film of the assassination of president John F. KENNEDY. Autopsy films like THE ACT OF SEEING WITH ONE'S OWN EYES. Driver education films depicting the daily carnage on the streets. Incidents where people committed suicide live in front a camera - like Pennsylvania state treasurer Budd R. DWYER, who blew his brains out with a .357 revolver during a press conference after being convicted of bribery. The GIMME SHELTER concert film, where a camera by accident caught some Hell's Angels stabbing a man. (Please note that these are only a few examples of what to find in this excellent book.)
The book is illustrated with dozens of highly interesting pictures (video covers, stills, posters, ad material, newspaper clips). And, yes, the infamous Japanese GUINEA PIG series is covered as well. On a lighter note, the authors also review a hoax autopsy film of a Roswell alien (!)
As you can image this book is disturbing, sometimes revolting and could be offensive to some. Clearly it is only for the most devoted fan of extreme and obscure cinema/film and the most hardened horror buff. But for these groups it is absolutely indispensable. I can't praise it high enough. Now, the book I read was already revised back in 1995, and is long out of print, and not at all cheap to find. But lo and behold, were are not all "ish outta luck" if we want to own this book. Not only is it being re-released in November, it is being expanded, revised and updated to discuss how the internet has changed the accessibility of these scenes. I can not stress enough how good a read this book was, and to see it see print again for a new generation is a great deal no matter what the price. A lot of the movies Tomas and I have gone lengths to view we learned of from this book. A perfect book for this site, I endorse it 100%. www.amazon.com/Killing-Culture-Death-Enigma-Snuff/dp/1900486873/ref=reg_hu-rd_add_1_dpOriginal Cover: Original cover
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Post by endo on Oct 1, 2012 6:59:50 GMT -5
That sounds like a great read!! I'd love to have a copy of that. Reminds me some of the Hollywood Babylon books my wife has. Man I hope I have some money when this is released again.
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Post by gorepolice on Oct 1, 2012 17:12:47 GMT -5
A new, updated edition? I'm gonna have to pick this one up for sure. Definitely wanna see what's new in there.
Edit: HOLY CRAP, THERE'S 78 MORE PAGES IN THE UPDATED VERSION! Must have!
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Post by NDX on Oct 1, 2012 19:07:42 GMT -5
I said the same thing, dude. That's why I really want it, all the new crap to be read.
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Post by gorepolice on Oct 4, 2012 15:35:53 GMT -5
The addition of the stuff about the internet will definitely make this worth buying and reading again. I'm sure there will also be some new movies in there worth checking out too.
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Post by endo on Oct 5, 2012 13:22:38 GMT -5
Wonder if someone will throw a copy up on E-Bay? If my belt ever sells, I'd have a little left in my Paypal account to put towards a copy.
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Post by NDX on Oct 5, 2012 21:55:24 GMT -5
Might was well wait for it to come out in the next few months and get it for much cheaper than what Tomas did.
Too bad Strand didn't have a copy. They mention it on their website, though. Man, I would have paid a pretty penny for that. Still would, just to have the original for all the photos.
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Post by gorepolice on Oct 6, 2012 0:16:30 GMT -5
Plus that cover. Definitely a sick cover.
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